Tuesday, January 25, 2011

Damián Ortega




Damián Ortega’s work explores specific economic, aesthetic and cultural situations and in particular how regional culture affects commodity consumption.



He began his career as a political cartoonist and his art has the intellectual rigour and sense of playfulness often associated with his previous occupation. 



  
He creates sculptures, installations, videos and actions inspired by a wide range of mundane objects, from golf balls and pick-axes to bricks, rubbish bins and even tortillas, all subjected to what has been described as Ortega’s characteristically “mischievous process of transformation and dysfunction”. 



  
In Cosmic Thing (2002), one of his most celebrated works, Ortega disassembled a Volkswagen Beetle car and re-composed it piece by piece, suspended from wire in mid-air, in the manner of a mechanic’s instruction manual. 



The result was both a diagram and a fragmented object that offered a new way of seeing the “people’s car” first developed in Nazi Germany but now produced en masse in his native Mexico. 





  
In Spirit (2005), Ortega constructed a series of architectural spaces using recycled materials which, when viewed from above, spelt out the letters of the work’s title, playing with the idea of optical and physical illusion.
Damián Ortega was born in 1967 in Mexico City and currently lives and works in Berlin, Germany. 




The Independent: 
Each day he took inspiration from a newspaper; whether a news item, a photographic story or graphics selected from local, national or international press which he translated into a physical interpretation, be it a sculpture, installation, proposition or prototype for a future project. The works made over this period have become both a sculptural chronicle of this period of time – and a dynamic reinterpretation of the notion of an art commission. 

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